It’s not hard to fathom why Tigers Are Not Afraid has been championed by Guillermo del Toro and Stephen King.
Let’s bitch it out… [Read more…]
The curated portfolio of film journalist Joe Lipsett
by Joe Lipsett
It’s not hard to fathom why Tigers Are Not Afraid has been championed by Guillermo del Toro and Stephen King.
Let’s bitch it out… [Read more…]
by Joe Lipsett
Q: What do you get when you team up a luchador, a pregnant heroin addict, a desperate motel clerk and a pair of thugs? A: Lowlife.
Let’s bitch it out… [Read more…]
by Joe Lipsett
The Heretics begins as an exploration of trauma recovery, but very quickly descends into a supernatural possession/exorcism film with some major character flaws.
Let’s bitch it out… [Read more…]
by Joe Lipsett
Can a film have multiple personality disorder? Ruin Me certainly makes the case for yes.
Let’s bitch it out… [Read more…]
by Joe Lipsett
In He Said/She Said, critics Joe and Valeska dissect a film in a back and forth email exchange. Previously, we realized too late that Hellraiser: Judgment (2018) had no sights worth seeing. This time, we’re taking a spin around the Ouija board with Paco Plaza’s Verónica (2017).
Let’s bitch it out… [Read more…]
by Joe Lipsett
There are two intriguing hooks at play in Jessi Gotta’s The Moose Head Over The Mantel: a narrative hook and a technical hook. Both work exceptionally well.
Let’s bitch it out… [Read more…]
by Joe Lipsett
Future gets high points for selling a life-affirming drama under a sci-fi banner. Now all it needs is a more distinct name.
Let’s bitch it out… [Read more…]
by Joe Lipsett
It’s pretty evident when watching Attack of the Tattie-Bogle that the indie slasher is a passion project.
Let’s bitch it out… [Read more…]
by Joe Lipsett
There’s something magical about November, the first official co-production between Estonia, Poland and the Netherlands and Estonia’s official entry for Best Foreign Film for the 2018 Academy Awards.
Let’s bitch it out… [Read more…]
by Joe Lipsett
In He Said/She Said, critics Joe and Valeska dissect a film in a back and forth email exchange. Previously, we decided to list and not love the Netflix original The Open House (2017). This time, we’re debating whether or not Hellraiser: Judgment (2018) has any sights worth showing you.
Let’s bitch it out…