After a rocky (ie: hot mess) S2 and a change of showrunners, ABC’s sudsy Sunday drama Revenge is back for a brand new season. So how does the show handle all of these changes?
Let’s bitch it out… [Read more…]
The curated portfolio of film journalist Joe Lipsett
by Joe Lipsett
After a rocky (ie: hot mess) S2 and a change of showrunners, ABC’s sudsy Sunday drama Revenge is back for a brand new season. So how does the show handle all of these changes?
Let’s bitch it out… [Read more…]
by Joe Lipsett
We watch a lot of TV – some of it good and some of it…not so good. For the 2013 pilot season, we’re checking out a few series we won’t be writing on regularly, but may check back on throughout the season. Next on the docket: the second season premiere of CBS’ Elementary.
Let’s bitch it out…
I’ve always had a bit of a love/hate relationship with Elementary. Comparisons to the far superior BBC version were inevitable when the CBS semi-procedural clone debuted last year, and it’s hard not to admit that the American version didn’t pale in comparison, despite engaging performances by leads Johnny Lee Miller and Lucy Liu. If we’re being honest, the biggest issues had nothing to do with either protagonist. It was the show beyond these two Holmes mainstays that suffered: the police bordered on inept, the secondary cast were little more than cardboard cut-outs and many of the cases were far too obvious.
The season picked up dramatically in its final episodes, however, as the show again complicated the Holmes mythology by making Moriarty and Irene Sadler the same person (see TVAngie’s take here and here). With that move, and a great turn by guest star Natalie Dormer, things looked rosy as the series headed into the summer hiatus. So I was interested to see if Elementary would fall back on its early structure/pitfalls.
Unfortunately it appears that the answer is yes.
Both “new” characters that are introduced in this London-set adventure – Detective Lestrade (Sean Pertwee) and Sherlock’s brother, Mycroft (Rhys Ifans) – are given far too little screen time in favour of an open and shut generic case that fails to engage (3D printing guns! How very last year!). Considering how much could have been done to flesh out Sherlock’s past, and reiterate how significant with Watson is, this should have played out as a much more significant chapter for the series. Instead it feels flat, as though this was just another week of the show. I mean, you’re going to take the time to shoot in London and instead of using it, you focus on a stupid spousal murder?! It boggles my mind.
If something does succeed, it’s that change of scenery. There’s an authenticity to actually shooting in the UK at a variety of famous and not-so-famous locations that gives even some of the more exposition heavy (read: boring) scenes a little extra kick (I was partial to the demolished opera house Lestrade is hiding out in). Now if only the narrative that was crafted around these landmarks were are interesting to watch. Instead it just seems as though Elementary thought a destination episode would merit attention simply because the action has been moved out of NY. Alas this not the case.
At the end of the day Elementary is a very confident show – it knows what it is and who its audience is. I’ve never been able to forgive it for resting on its laurels, but I accept that those who like it, like it quite a bit. That doesn’t make TVAngie or I want to cover it on a weekly basis, however, so for now it’s on to greener pastures and should Lestrade, Mycroft or Moriarty/Irene turn back up, we’ll be sure to check back in.
Best Lines:
What are your thoughts on this second season return? Did you enjoy the London setting?Were you hoping for more from Mycroft and/or Lestrade? Are you impressed with how far Joan’s deductive reasoning has come? And how long before any of these recurring Holmes characters return? Sound off below
Elementary airs Thursdays at 10pm EST on CBS
by Joe Lipsett
We watch a lot of TV – some of it good and some of it…not so good. For the 2013 pilot season, we’re checking out a few series we won’t be writing on regularly, but may check back on throughout the season. Next on the docket: the second season premiere of NBC’s Revolution.
Let’s bitch it out…
I will readily admit that Revolution was my biggest disappointment of the 2012-2013 television season (the summer honour goes to CBS’s similarly inept Under The Dome). Revolution was a show that had everything going for it: an awesome premise about the loss of powerful, a handful of great-to-solid actors, a nice dose of genre hybridity and a creator, Eric Kripke, noted for crafting shows that fans love.
And then the sucker debuted and almost immediately went into the crapper.
The problems with season one are legendary at this point, so I was intrigued to check out the second season to determine whether the issues had been fixed or if the show was the same old piece of garbage I hate-watched last season. So how does Revolution 2.0 fare?
Honestly, it’s not bad. The pace is slower and despite being divided between three different locations, the time allotted to the groups of characters is well managed. Perhaps it’s spreading these individuals out, but not having them on journeys that makes this re-introduction work. The focus is more on reestablishing who these people are and why they matter than moving them around the country like game pieces. Giancarlo Esposito’s Neville and JD Pardo’s Jason get the plot heavy portion as the Patriot tallship lands in the refugee camp they’re staying at outside bomb-decimated Atlanta. Miles (Billy Burke), Rachel (Elizabeth Mitchell) and Aaron (Zak Orth) have sought refuge with Rachel’s father, Gene (Stephen Collins) in the Republic of Texas where marauding War Clans are raping and pillaging. Oh, and Rachel has PTSD following last season’s nuclear fall-out.
And then there’s Tracy Spiridakos’ Charlie (a show-ruiner) and David Lyons’ Monroe (still miscast) who are hanging out in the laughably named New Vegas, a Western dystopian version of the city of sin (on a budget). Perhaps the idea was to dump these two in the middle of the Plains Nation in the hopes that they kill each other off? As it stands their stories amount to little more than bareknuckle boxing (is this a bad TV trope???) and a weakly plotted assassination attempt…so…yeah.
As far as rescuing the show from the disaster that was S1, ‘Born In The U.S.A.’ is a step in the right direction. Spending more time fleshing these characters out, introducing a mildly interesting new mystery (what’s with the fireflies?) and an ominous new set of villains (the Patriots) could inject new life into the show. That’s provided it keeps its wits about it, since many of us thought the writers would turn things around several times last season, only to watch in horror as things somehow got worse. Plus, with the continued reluctance to actually kill off characters (is Aaron really not expendable?), there remains a troubling lack of consequence that threatens any emotional investment viewers may have in the proceedings…
Needless to say I won’t be watching with any regularity, but Revolution is the kind of show you can pop in on fairly regularly in the event something merits attention. I’m interested to hear from other viewers, though: will you continue to watch? Has enough character rehab been done to rehabilitate these people? Do you wish people would actually die and not be magically resurrected? And do you care about either the fireflies or the Patriots? Hit the comments with your thoughts below
Revolution airs Wednesdays at 8pm EST on NBC
by couchpotato
Greetings my fellow 19th-century-literature-adaptation fans. Fall pilot season is FINALLY here! And I must say, Sleepy Hollow is a great way to kick it off.
Let’s bitch it out… [Read more…]
by Joe Lipsett
Orange Is The New Black is the fourth series of the year to unravel in its entirety as part of Netflix’s new TV production/distribution model. It also appears to be, after a quick survey of of the critics, the most successful of the four: a genuinely well crafted story of a sweet WASPy girl and her 15 month prison sentence.
Let’s bitch it out… [Read more…]
by Joe Lipsett
FX debuts its latest high profile drama, a topical (and frank) examination of border relations masked as a crime thriller. After just one episode, it’s clear that The Bridge isn’t pulling any punches, nor is the show afraid to do so through the lens of some unconventional characters.
Let’s bitch it out… [Read more…]