In He Said/She Said, critics Joe and Valeska dissect a film in a back and forth email exchange. Previously, we adopted a crazy ersatz child in Jaume Collet-Serra’s 2009 Orphan. This time, we’re just trying to survive a less hilarious modern take on The Happening with Susanne Bier’s Bird Box (2018) [Read more…]
The Final B*tch TV Watch: Fall 2018

Clockwise from top left: The Purge, The First, You, Maniac
For the last time, here’s a preview of what to check out on the small screen heading into fall.
Let’s bitch it out… [Read more…]
He Said/She Said: VERONICA Is Rife With Rich Symbolism & Feminist Themes
In He Said/She Said, critics Joe and Valeska dissect a film in a back and forth email exchange. Previously, we realized too late that Hellraiser: Judgment (2018) had no sights worth seeing. This time, we’re taking a spin around the Ouija board with Paco Plaza’s Verónica (2017).
Let’s bitch it out… [Read more…]
The B*tch Watch: February 2018 TV preview
With the arrival of the Winter Olympics in South Korea, TV hits the snooze button. Expect a somewhat light month ahead of a massive storm of new and returning content in March.
Let’s bitch it out… [Read more…]
He Said/She Said Review: Netflix’s THE OPEN HOUSE Is Laughably Inept & Awful
In He Said/She Said, critics Joe and Valeska dissect a film in a back and forth email exchange. Previously, we winced and shuddered our way through visceral maternal horror film L’interieur (2007). This time, we’re choosing whether to love or list Netflix original The Open House (2017).
Let’s bitch it out… [Read more…]
The Bitch Awards: Best New TV of 2017
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