The curated portfolio of film journalist Joe Lipsett
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Smash throws everything but the kitchen sink into this week’s episode as the “Marilyn” workshop finally shows to an audience of potential investors. Amidst the completely uneven storytelling there is a glimmer of hope (huzzah!) when we almost get not one but three uninterrupted numbers!
Let’s break it down after the jump [Read more…]
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Hola Smash fans! TVAngie is busy writing hate mail to Katherine McPhee, so she asked me to step in for this week’s episode. While I’ll confess that I’m enjoying the show more than my writing partner, I’m still finding some fairly significant faults in the singing saga. Will tonight be the night things begin to gel a bit more?
Let’s bitch it out…
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This week on Smash, we got our first fully staged musical number. Is this an indicator of where the show is headed?
Let’s take a closer look after the jump.
Courtesy of NBC
Smash delivers some interest this week, primarily due to the inclusion of some much needed dancing, but is that enough to keep the show going?
Let’s break it down after the jump:
Courtesy of NBC
This week on Smash we thankfully got less Katherine McPhee which made the episode much more bearable. Not many musical numbers – but we got a new character with some serious pipes to compensate and one that took an unpredictable u-turn.
Let’s take a closer look after the jump:
Courtesy of NBC
This week’s episode of Smash pretty much opened the exact same way as the pilot (our heroine Karen (Katherine McPhee) singing in fantasy land only to be snapped back into reality) – but was the rest of the episode as predictable?
Let’s break it down after the jump.