Post Mortem (2020), Hungary’s submission for the Best Foreign Language Oscar, is a visual spectacle about a small town caught in the throes of ghostly attacks.
[Read more…]Impressive Visual Effects Elevate ‘Post Mortem’ [Toronto After Dark Review]
‘Slumber Party Massacre’ Subverts Slasher Tropes [Review]
It’s a common trend in horror remakes to deliver fervent fan-service homages and revisionist takes on classic material.
[Read more…]‘She Will’ Finds Female Rage In The Woods [Fantastic Fest Review]
The story of She Will is slight, but the film, from director Charlotte Clbert and co-writer Kitty Percy, more than makes up for it with its visuals.
[Read more…]‘Venom: Let There Be Carnage’ Is An Out and Proud Sequel [Review]
There’s a moment in Venom: Let There Be Carnage when Eddie Brock (Tom Hardy) comes across a tree with a pair of initials carved into a heart. It’s a clue that Brock and Detective Mulligan (Stephen Graham) will use to track down escaped criminal Cletus Kasady (Woody Harrelson), but the romantic insignia is reflective of the sequel’s focus on love and duality.
[Read more…]‘Let The Wrong One In’ Is A Silly Delight [Fantastic Fest Review]
There’s something incredibly satisfying about a horror comedy that knows it’s silly and leans into it.
[Read more…]A Great First Act Can’t Save ‘There’s Someone Inside Your House’ [Fantastic Fest Review]
There’s Someone Inside Your House gets off to a great start: football jock Jackson Pace (Markian Tarasiuk) sets his alarm for a nap before a big game, awakens to an empty house filled with photos from a hazing ritual gone wrong and is brutally murdered by an assailant wearing a mask of his face. It’s creepy, there’s a smidge of humour and the violence is brutal. It’s only a few minutes into Netflix’s newest slasher and we’re off to a good start.
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